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28-Aug-2017 19:15

When Smith's 1978 album Easter was in need of a single, Iovine took Springsteen on a drive to Coney Island and convinced him to fork over "Because the Night." It became the biggest hit of her career. and then I found my niche: I gotta find great producers, and I produce them." One of those producers turns out to be Dr. These weren't poorly produced demos, either: Dre, a notorious perfectionist, says he played executives a full-finished version of the album: "I mixed it, mastered it, did the artwork, everything.Iovine executed a similar move shortly afterwards while working with Tom Petty. His comeback was like, 'This is gonna buy your a house.' But it pissed me off because … The way it is in the stores right now is the way I was shopping it."At the time, most labels were wary of Dre's legal difficulties – he was still separating from N. A and Ruthless Records – and biased against hip-hop.The two principals meet and agree to join forces, and Iovine’s fast-rising Interscope extracts Dre from his contracts with Ruthless Records; Eazy had sided with financial partner Jerry Heller against Dre in an ugly feud that played out publicly in music videos and on vinyl as well as in the press.HBO's new documentary The Defiant Ones traces the rise of two men who have helped create the modern musical landscape: engineer/producer/record executive/Apple Music impresario Jimmy Iovine and engineer/producer/rapper/headphone mogul Dr. The four-part series plays as a bromance of sorts, with Iovine as the neurotic, pedal-to-the-metal New Yorker and Dre as the inscrutable sonic mastermind. Dre, the producer refuses to be involved with the song. "But when I showed it to Dre, he said, 'Dude, I'm not doing that record. Tom Petty notes that Iovine always had his mind on his money and his money on his mind: After playing demos of "Here Comes My Girl" and "Refugee," the singer remembers the producer declaring, "We're gonna be millionaires!Actually, it feels more like it down, because at four-and-a-half hours, this comprehensive series examines two indisputably forceful, fascinating, innovative and important characters (and the people and events around them) with a level of detail more suited to a completist study of the Great Depression, the Civil War or The Bible.Its Tolstoyan length aside, this series, directed by Allen Hughes, does not lack drama or star power.The former talks fast and animatedly, constantly checks his phone and never seems to stop fidgeting, even when seated; the latter takes long, thoughtful pauses before speaking, and reminds viewers how rare it is to get a glimpse into his personal life. I gotta go to jail on Friday; they're gonna kick my ass up in there.'" [Dre was having frequent run-ins with the police at the time]"So I ripped it out, balled it up, and threw it away," Ice Cube continues. " "I thought that was the strangest comment I'd ever heard about music," Petty says."I'm so secluded, and I'm so private," the hip-hop icon says. Luckily a friend pulls it out of the trash and demands that Ice Cube hold on to it. But that didn't mean Iovine's transition from the guy behind the boards to the guy in the corner office was a smooth one.

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Yet the most compelling segment of the series — Episode 3: The 1990s — requires no injection of drama.

(There is also an unusually frequent use of reaction shots, whereby interviewees are seen sitting silently, apparently reacting to quotes or voiceovers.) The drama comes from the principals and their stories: their successes and failures; their creative brilliance, focus and ferocious drive; their odd-couple partnership (Eminem says, “Jimmy is the levitator, Dre is the innovator”); their willingness to walk away from lucrative enterprises they built from the ground up (Iovine’s record production and label, Interscope; Dre from N. A and Ruthless, and later Death Row Records); and in particular Dre’s tragic losses, including his brother, his son and his once-deep bond with N. Format-wise, the Dre/Iovine alternating storylines are generally effective, but it’s in allowing one of the subjects to have his own space that yield the most revealing moments.

One such highlight is the humility exhibited by Dre in describing some of his angrier formative years as a rap upstart.

The son of Olu Dara, Nas has release 8 consecutive platinum and multi-platinum albums and has sold over 25 million records worldwide.

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He is also an entrepreneur through his own record label; he serves as associate publisher of Mass Appeal magazine and is the owner of a Fila sneaker store. His musical career began in 1991, as a featured artist on Main Source's "Live at the Barbeque".

These ventures eventually develop into Beats By Dre, Beats Music and then Apple Music, currently the second most popular music streaming service worldwide. Eazy-E founds Ruthless Records in 1986, and the label's first hit was "Supersonic," a single by rap duo J. "And Jimmy was a renowned producer, very creative, but he wasn't renowned as a businessman.""I didn't feel comfortable as an executive," Iovine explains.



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